A workshop built around one word — namāmi

Sarvnamami began at a family counter in Jaipur, where three generations had sold puja samagri to neighbourhood households. We noticed the same complaint every festival: samagri was incomplete, incense was synthetic, and idols were mass-moulded.

So we went to the source. Today we work directly with brass casters, incense rollers, cotton-wick makers and cloth weavers, paying them without middlemen and documenting every material we use.

Each kit is reviewed with practising priests so that what reaches your altar is not just beautiful, but ritually complete.